What are the three musical styles of expressionism?
Strauss, Schönberg and disciples, Scriabin) and includes the tonal early expressionism (ca. 1906-08), highly developed expressionism with atonality (1908-23) and late expressionism with dodecaphony (1923-33 and further on), which after the Second War develops into the neo-expressionism of the total organization.
What is the melody of impressionism?
Elements often termed impressionistic include static harmony, emphasis on instrumental timbres that creates a shimmering interplay of “colours,” melodies that lack directed motion, surface ornamentation that obscures or substitutes for melody, and an avoidance of traditional musical form.
What is the harmony of Expressionism music?
Expressionist music often features a high level of dissonance, extreme contrasts of dynamics, constant changing of textures, “distorted” melodies and harmonies, and angular melodies with wide leaps.
What are the three characteristics of impressionist music?
In conclusion, tone color, atmosphere, and fluidity were the most important characteristics to define Impressionist music. Most often represented by short, lyrical pieces, composers such as Debussy became prolific in this style from 1890-1920.
What is the rhythm of Impressionism?
The rhythm and tempo of impressionist music is not fixed. Pieces might be played rubato. This was different from rubato in romantic music, which would have sudden changes. Instead the aim was for pieces to be played in a flowing and natural way.
What is static harmony?
So: “static” harmonic rhythm would be that of a passage that pretty much sticks to the same chord: if the same chord lasts for 4 measures of 4/4, for example, you could call that static harmonic rhythm. “Regular” harmonic rhythm would refer to chord changes that take place at regular intervals or in a regular pattern.
What are the elements of expressionism?
- a high level of dissonance.
- extreme contrasts of dynamics.
- constantly changing textures.
- ‘distorted’ melodies and harmonies.
- angular melodies with wide leaps.
- extremes of pitch.
- no cadences.
What is the Impressionism of rhythm?